Organized jointly by the Kerala Sangeetha Nataka Academy and the Ivarmadom Heritage Preservation Committee at Chutalaparambu on Nilathira, the play is a second sight from the threads of faith and disbelief. Whether it is an artist who takes a vow as a form of ritual art, or an invisible power that hides his consciousness and uses a human body to express itself, the idol that has been worshiped in a land that smells only of death for decades is just an imagination and it can be believed that this is a human unconscious. Faith and reason were clashing in the mind. The Goddess concept in the mind is the mother form of deep affection. This is a raudabhava that does not suit it at all. Because the mind is not compatible with the goddess who comes forward screaming with a swinging sword, she comforted herself when she had to step back because she could not see the cruelty in those eyes.